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Flowers language in Islam and the Ottoman Empir

In comparison to other members of the natural world, flowers stand out. They may be the most visually appealing and aesthetically pleasant because of their harmonic forms, stunning hues, and distinctive smells. Floral scents are popular with most people because of their natural and calming properties. Even today, floral scents such as garden roses and wallflowers, as well as more seductive blossoms such as jasmine and lilies, play an important role in the aromatic business. The fragrance of flowers, particularly violets, was very pleasing to the Prophet Muhammad.

In the Ottoman Empire, flowers were a big part of the culture. Additionally, they used to put flowers inside their homes and on their windowsills. It was as if they were gazing at their children and grandkids through the lens of a mother or grandmother’s eyes. Men might take their hobbies as far as planting flowers. For dresses, floral motifs were popular. The artist represented even a solemn figure like Sultan Mehmed II with a flower in his palm.

Girls were call after flowers, and men wore them on their turbans as a symbol of their devotion to their wives. Flowers were place on the graves of the women. Flowers were both a beautiful decoration and a way to soothe the soul. In Istanbul, every home had flowers. Every home had flowers in pots and tin cans on its windows, from the poorest to the wealthiest. It was common for every home to have a flower-filled garden or corridor, even if it was only a few square feet.

The headwear is decorate with flowers.

In the past, flowery fabric was use only to create women’s gowns. Even the slippers were made of floral-pattern material, and a flower was sewn into the shoe’s toe as an embellishment. There are several flowery patterns on the socks of Anatolian ladies. Each design has a name.

At least the men’s clothing would flowered. Museums have sultans’ robes embellished with pomegranate-colored flowers. Nobility and faithfulness are symbolise by carnations.

The turban is another option worth considering. Even the contours of this melancholy item were embellish with flowers. In the majority of the sultan’s crests, flowers are show. The flower is a common theme in jewellery.

Women’s “yazma” headdresses, as well as headscarves and headdresses with floral themes, are also common. Fresh flowers are sandwich between the stitched blossoms to create these unique pieces of art.. You can see that they are all pieces of art here. The ladies who decorate their headscarves, cushions, or simple linens with floral designs are highly talented.

Flower aficionados

Flower-loving people tend to gentler people, too. Floral gardens were tend by affluent and pious individuals, as well as Sheikh al-Islam (the highest religious title) academics. Even today, members of the European royal family may seen in flower gardens with their hands full of gloves and scissors. Small paintings depict Ottoman sultans with flowers in their hands. In the past, it was common practise to hold and smell flowers for their soothing and relaxing properties.

Flower-adorned dresses and compositions are the norm in Ottoman miniature art. Flowers adorn the tables, same as we see in classic paintings. This is a long-standing tradition in the country. Sending someone flowers has the same effect as giving them a gift. The French ambassador once received a lily of the valley, a sign of peace. Sending flowers on special occasions like weddings, baptisms, communions, and anniversaries has long been considered a sentimental gesture.

Floral design and textiles were heavily inspired by Turkish culture. Despite its popularity in China, the Turks were the ones who brought it to Europe. Turks’ love of flowers was noted by every foreign tourist who visited the empire.

The love language

Flowers have also used as symbols in tales, chansons, and poetry. The Islamic significance of tulips and roses is well-documented. Allaah is shown as an orange tulip, whereas the rose represents the prophet Muhammad. “Allah” has both a tulip-like form and Arabic alphabet characters that resemble each other. It is a beautiful flower that soars alone towards the sky. It is a sign of unity.

Carnations, on the other hand, symbolise devotion; the lotus, on the other hand, symbolises the dervishes who lay their prayer mats on the lake. Similarly, the bent violet is humility; narcissus is smugness; hyacinth is a lovelock; and the rose is a lover’s lips. Daffodils, despite their beauty, are a metaphor for an uncaring lover. Growing near the water, they seem to be taking in their own reflections as they develop. An ancient Turkish name for a self-righteous person, “Nergisi,” derives from this.

The gillyflower, which blooms at night and represents hope, and the lily, which smells like ecstasy, both represent passionate love. Poems are the language of love, handkerchiefs are the sign, and flowers are the symbol. When a lover places a rose petal in his handkerchief, he is also sending a message to his sweetheart via the flower.

Flowers with a sad disposition

Turkish people’s love of flowers in textiles and home design is root in religious traditions. Flowers were not prohibited by Islam, which restricts the display of images of live beings in public.

When it comes to ladies, flowers were even put on tombstones that were mean to show grief. The inscription has a floral pattern since flowers are often seen on the turbans of male tombstones.

Tiles in mosques and the walls of Topkapi Palace are adorned with tulips, hyacinths, carnations, and other flowers. In a way, they are like Turkey’s front door to the world. These designs attract a lot of visitors. Tiles were really used by Turkish-friendly foreigners like Joseph von Hammer-Purgstall and Pierre Loti to decorate one room of their residences in their own countries.

Flowers are a fashion statement in the same way that everything else is. In Seljuk tiles, the poppy is often depicted. It contrasts well with the blue tiles because of the bright red hue. Tolles replaced roses as the most popular flower in the late 17th and early 18th centuries. The Tulip Era is also a name for a time period. Tulipmania or the tulip fever occurred during this time period all throughout the globe.

The season may come to an end.

The flower is the most prevalent pattern, particularly in Ottoman carpets. Carpets made by the girls who woven them are works of art that tell the stories of their lives. There were no art galleries like the ones we have now in the past. Despite this, every Ottoman home was a museum of fine art. Home cupboards, crates, chests and even front doors were decorated with floral designs.

Flower and books go hand in hand. The images are already art in and of themselves. In addition, they are typically adorn with flowers on the edge. Flowers, not dots, decorate the margins and end of verses in mushaf (Arabic for “written copy of the Quran”) and prayer books.

The book’s cover is typically made of leather, however some collectors choose to embellish their copies with floral arrangements. Flowers are the inspiration for the sunburst design, which has used since ancient times to decorate book covers. Brocade dyes are occasionally use to colour the little flower designs on the covers. In reality, colourful paint on leather is occasionally use to create flowers.

For those who want to enjoy the beauty of flower long after the season is pass, paper artists cut layers of paper or leather to make imitation flowers and then paint them. Previously, even the petals of a flower that fell to the ground were save and preserved in books.


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